Saturday night’s performance by Cherish the Ladies in Glasgow’s Royal Concert Hall lived long into the night, as in true style, the sessions continued into the early hours of Sunday morning.
Will ye go, lassie, go?, sung by 2,000 Glaswegians; Kathleen Boyle’s almost haunting rendition on the piano; the drumming of the Bodhrán; the step dancing in all its forms; Cathie Ryan’s voice bringing the past into the present; and Joanie Madden’s penetrating flute playing and sharp wit, were just some of the highlights to this most beautiful of evenings.
It was the rawness of talent, where the ladies, and of course, male musicians and dancers too, made the most intricate pieces look seamless as they weaved their way through the concert and into the consciousness.
Memories flooded back and a pride in Celtic music and dance that is sometimes eclipsed by the razzle and dazzle.
The stage was set like any session in the bar; chairs in a half moon looking out to the audience, with the talent taking centre stage, where only the lighting is a feature. The concert had the fluidity and courage to go off script, welcoming talent on stage and making the audience as much a part of the performance as those that they were spectating. There was a Celtic connection.
Returning to the stage to celebrate 20 years since they first played in Glasgow, it was no surprise the show was a sell-out. It was standing room only, but Glasgow’s a small town, so it wasn’t long before we were sitting.
The music carried the audience along, mapping the journey of the emmigrants, and I thought of Mary. From the sad songs to the love songs, to Scotland’s Bard and his Red, Red Rose, the wonderfulness of music and dance weaved in and out.
Mary would have loved this night.
You can’t describe the rhythm of the dancers as they make music with their feet, or the energy they bring, or the poise in their carriages. It’s something you have to see and you have to feel. It is art. But Mary would never have called herself an artist, an Irish woman, an immigrant, a cherished lady.
Storytelling, dancing and music, and I am back in 46B Storrie Street. We’re dancing, there’s an accordion playing, the smell of homemade bread, singing, and Mary. I see her in every song, in every step and in every memory, in all that is good, weaving in and out of every day and in every Celtic connection.
The crowd are on their feet in a standing ovation, clapping and cheering and yes, we are cherishing the ladies.
To find out more go to Cherish the Ladies