In and out

FelicityFox
The nurses huddle around their station clasping their cups, nattering quietly. In and out, the sound of her breath; still and rhythmic as her bird’s chest moves up and down. Watching and waiting. Silence descends. I hold on to every breath, willing her to take another, in and out. Her chest rises and falls, slowly pushing up again, holding on.

Round and round I go outside the washhouse at 46b Storrie Street, just below the flats, where houses are built on houses. Not like ours, where there is no sharing. The green lawn is stretched out in a square stopping from tenement to tenement, each are dark and grey. The concrete slabs in the middle of the green, away from the shadows of the trees is a perfect flat patch for riding.

“Again Rose, again, that’s it.”
“Hold the bars straight, straighten up will you or you’re going to fall.”

Even then she was old; widowed. She was on her own. She wasn’t from these parts, her pursed lips and quick words gave it away. Her wool skirt sat below her knees, she wore sensible brown court shoes, the kind grannies wear, and her Arran cardigan hugged her broad shoulders. She was stronger than any of the others. She had more secrets. Her hands grabbed the seat as she pushed me off on the path as the wind slapped my face. I steered into it, again and again. Clasping the handlebars and trying to steer, not to fall under the weight of the heavy, thick metal bars. She’d bought it from the shop. Her shop where she unpacked and re-shelved the bags left on the doorstep. The bike belonged to another. The seat was too high, but I’d get good use out of it, and the wheels, a little stiff, Dad would oil these. The colour wasn’t mine either.

“Her breathing is getting heavy, Mum.”
Long and slow, she clung on. Mum can’t hear me as she’s watching hers. Holding every breath, in and out, I follow her lead, waiting for the next exhalation. It’s slow and hard to hold on as I gasp to follow her. In and out, she slowly makes it like the one before. I’ve never listened this intently or waited this patiently. I’ve never held her. Curled in the bed, she lies to one side. Small and frail, and waiting. Her hands clasp under her head with beads entwined around her fingers. Her long limbs tucked beneath her and her broad shoulders huddle into her chest. Her hips poke from beneath the white sheets, while the monitors bleep in and out. A drip hangs from her vein and she clasps what’s hidden in her hand. She’s waiting and when I call her name, she hears me. Trying to speak, I silence her with shushes.

“Again, come on, do it again.”
“No point doing half a job, Rose. Again.”
“That’s it, steady yourself and for goodness sake, straighten yourself up.”

I leaned to the left, then quickly to the right, steadying myself.
I’m doing it, I call.
“Concentrate!”
“You’re an awful one for not concentrating.”
“If you fall off and scrape your knees, your mother wouldn’t be happy. You’ve got a feis today.”
“I’ve got it, Nanny.”
“See!”

“I love you, please wait.”
She’s slowing down. Her breathe is slower, shallower. I can’t hear her.
“Do you think she can hear me, mum?”
“Do you think she’s still here?”
“Gran, it’s Rose. I’m here.”

Beatitudes by Felicity Fox

We dream…

Blessed are the Tories, theirs is The United Kingdom.
Blessed are the Bankers, for theirs is a big fat bonus.
Blessed are the Rich, for theirs is no longer 50p in the Pound.
Blessed are the Super Rich, theirs is called tax avoidance.
Blessed are the Frontbenchers, there lies the problem.
Blessed are the Lords, for there will be no reforms.
Blessed are the Rockstars, they will have titles bestowed upon them.
Blessed are the Royals, theirs is the Civil List.
Blessed are the Media, for in their hands the truth lies.

By Felicity Fox

Horse_Glasgow

wee yin by Felicity Fox

Wee Yin
Wee Yin

I’ll be at the wall,

Just agree to what they say.

Not long till break time,

We’ll get a game tae.

Put your arm around him,

Don’t tell him what to say.

What do you mean, I stay all day?

Can’t I do a half day.

I’ll go tomorrow,

How long do I stay?

Meet me at the playground,

At the wall, just along the way.

We’ll be playing at the cages,

It’s not as bad as they say.

Hang your jacket on the peg,

Pick your feet up when you walk.

The teachers are the bosses,

Just listen to what they say.

Meet me at the wall, wee yin

It’s just another day.

You’ll be fine, now hurry, go away!

Big brother will be waiting.

See you at the wall, half three you say?

In my hand he held my heart

My love
My love

In my hand he held my heart

Silently I was crying inside. But my son’s entourage was an unusually welcomed distraction, deflecting from the highly anticipated event, the first day of school.

No wonder my son looked slightly on edge, with so much build up. I think he was starting to believe that we were giving him to the Missions. It’s not like it’s the first time I’ve said goodbye, but for some reason, this one magnifies that this is the first of many to come.

We all know the stories, but when it’s your own story, it’s raw. And I felt alone.

Well, I would have if my over-the-top, noisy, Italian, and brash father-in-law had allowed me to lament in the moment. But no, he was a running commentator on the day’s event and how my emotions were stacking up. My mother was adding some realism, years of experience as a school teacher; my husband was nonchalant; my mother-in-law was reminded of her boy starting school, but was on a strict warning not to cry, so she looked like she’d sucked a few lemons, straining to hold it together. The circus ensued with the little brother pleading to join the big one. And after a few poses for Facebook, show’s over, and it’s time for school.

In his hand, he held my heart. And we walked on.

I was more nervous than he. Schools do that to you. He hardly spoke, but I knew he was assessing the situation. He does this. And all I wish, is that his teachers get to know him like I do. I haven’t totally lost my sense of reason, he’s still a five year old. I’d have thrown him through the doors when he was two, when the thought of Boarding School didn’t seem so bad, but not today. He is perfect and I won’t be told otherwise.

In my state of delusion, we made it through the grandparents, mothers, fathers, sisters, brothers, and the flash photography. But I saw no one. So consumed by holding his hand and steering him through. There may have been tears and tantrums but we walked silently on.

My nerves grew. I wanted the transition to pass seamlessly. Because you see, I thought he was starting next week and today wasn’t the day for my son to realise that his mother’s still looking for the parenting handbook.

My fly by the seat of your pants approach suits me, but my son needs everything just so. I had to step up and make him as proud of me as I am of him. Ok I got off to a bumpy start, wrong class. Though, I was sure it was that one. The relief when I found his peg and hung up his jacket. If I could have ripped the thing off the wall, I think I would have. I was raw.

Never have I felt so happy yet so sad.

P&RBut there were no tears. I wouldn’t do that to him, I had the rest of the afternoon after all.

And as I’d expected he turned and I let him go. To make new friends, have good days and bad days, dreams and disappointments, and to start making stories of his own.

The Handover

TrainspottingHere you go, everything I know about parenting.

When you pick up the boys they will be in their uniform. They will look to you for the latest e-number, provide at your peril. I’m flying 40,000 above, toasting my second, dare. I say it, my third glass of champagne, or maybe cava, but its the same dream just another bottle.

On arrival back to the house, the Crescent, please ask P & R to remove their school uniform, place neatly, some clean, others in the wash basket, and change. They will try to scatter and run, a trail of destruction left for you, I’m sorry. They will, no doubt, ask if all the neighbours’ children can come round. Again, clink, clink, at your discretion.

They will repeat the phrase ‘Mum lets us’ over and over like whining dogs. This is not true. They lie. Your precious little grandchildren are liars. I know it may sound shocking, but it is always better to know what you’re taking on. I don’t let them in the woods, or the lane, or go to the shops, or run the streets. They will say I do. They will say Dad doesn’t let them, but Mum does. She doesn’t. They are trying to undermine me. They play on my love for them. Be warned, they will do this to you too.

Treat every word with caution. Careful questioning can usually trip them up and, if needs be, separate them. Divide and conquer usually works on their alibis.

As both are of the male species, feed every two-three hours. This usually addresses most of their needs, and throw in a compliment here or there. You know how this works…

At nighttime, the bloodsuckers really come out to play. They have many tricks to keep you from adult time and a chilled bottle safely nestled in the arms of the top shelf. DVDs, play stations, iPads, iPhones, TV, PSPs, all the devices bought as saviours to occupy them throughout the day, they are now the enemy. These are their weapons, hidden in numerous locations and dotted in pillowcases and mattresses. Go to the mattresses!

Remember don’t let love be a distraction. You’re up and at it again in just a few hours. Age is on their side. Don’t let love blind you. Don’t let those big eyes make you waver. You are being played. Use your first name and stay strong, Nonna, Nana, Granny, Gramma, words like these makes you weak. Good luck! Any problems, I unfortunately won’t have signal strength.

Cheers, and bottoms up!

 

 

 

The Worlds

There are rules to this, if you can see past the wigs, jigs and high kicks…

The Worlds is the 44th Irish Dancing World Championships. Expect to see wigs, wigs, and more wigs, bling, diamantes, excessive make-up, various shades of orange, tap dancing on the streets, and inappropriate clothing i.e. half-dressed competitors in London’s Hilton Metropole. Big Fat Gypsy meets beauty pageant.

It’s a multi-million pound industry with the organisers, An Coimisiun le Rinci Gaelacha, anticipating between 15,000-20,000 visiting the city over Easter 2014.

This is the first time London has played host to the Championships with hopes to build on the spirit of the Olympic legacy. Though, I’ve never seen an Olympian high jumper in big bloomers – now that would be a treat – this is the Olympics of the Irish dancing world.

But hey, Boris Johnson is excited, as the London Mayor described the event as a “vital boost to London’s economy”. The only connection I can see is that the Mayor himself likes a wig.

Wigs and Jigs
Wigs and Jigs

And it’s wigs galore, with more than 5,000 competitors with artificial ringlets in every shade; white blonde, dirty blonde, light brunette, black, and Irish coleens in red, looking like Maureen O’Hara in the Quiet Man. It’s tradition. Keeping with the tradition, when our ancestors danced at the crossroads with luscious locks and streaky tan?

Lost in the razzle dazzle, there is art to this; a mix of balletic and athletic dance, rhythm, lively music, poise, carriage and hard, hard work. To explain, you leap into the air with your arms rigid and stuck to your side like glue, that’s a banned substance I presume, see the rule book for clarity. Strength, co-ordination, twirling, jumping, stamping, hopping. It’s got it all.

It starts with hop two, three, four, five, six, seven, but before you know it, you’re slapping on the fake tan, the crown is buried into your head, more Kirby grips digging into your membrane, you’re high kicking, and dressed like a fairy.

If you think wigs are bad, I’m haunted by the sleepless nights before the evolution of dance, back to the days of the curlers. A very knowledgeable and practical friend of my mother’s used to joke that a wig would have sorted out all our woes. Little did she know, how wise her words were and what a phenomenon the wigs would become.

I’m often asked why? I don’t know. It saved time and hassle, but why? It’s tradition. Did my ancestors really do that? The answers I’ve been looking for are in the Rule Book of Irish Dance. Yes, there are rules and here are some of my favourites, paraphrased below…

4.4.3 Costumes must consist of full front, side and back sections. Cut away styles, without a full skirt backing, are not acceptable. I concur. No Strictly nonsense for my forefathers.

4.4.2 Necklines must be at collarbone level or above. No cleavage allowed; In the Name of the Father, sorry gran. It’s sad in this day and age that we’re having to write this one down.

4.4.4 In order to protect dancers from hazardous objects while competing, costumes may not be decorated with feathers; feathers, what’s next, diamantes will be struck off the list.

Nobody likes a showoff, I heartily agree.

4.4.8: Costumes for both boys and girls should not include representations such as globes, medals or any other symbol of an award having been achieved.
Note: no mention of Facebook then?

4.4.10 Appropriate underwear, covering the midriff, must be worn. Jesus, Mary and Joseph, I should say, preserving our heritage.

Where tights are worn, they must be of a denier of not less than 70. M&S do a wonderful range and who wears less than 70 anyway? Shame on those that this has to be a rule.

If you are wearing a body suit, it should not show the contour of the body in detail. It’s Irish dancing, it’s not sexy cha, cha, cha folks. Velvet and lyrca are recommended, really? You have lost me here.

In the make up department, make-up including false lashes is not permitted for dancers, in either solo competitions or team competitions, up to and including Under 10 age group. Aged 11+, slap it on like our ancestors used to do.

Any competitor found using artificial carriage aids will be subject to disqualification, however medical prescription apparatus, proof of which may be required, will be exempt. Oh, whatever will they think of next? Competitors found to be altering their shoes or wearing them on the wrong feet will be treated in the same manner. Know your left and right.

It is also suggested for class costumes, which is a dress representing your dance school, that a lean towards a more traditional style of costume is recommended – not sure how this is really working out.

And to get back to my question, why the wigs? Nothing. I can’t find a rule. So, the Shirley Temple bouncing wigs look set to stay. It is after all the preservation and promotion of Irish Dance, and what says that better than the synthetic fibre of the wigs on show.

Crossroads_1
Toes

For more about the World Championships, check out The Telegraph article

Cherishing the ladies

Saturday night’s performance by Cherish the Ladies in Glasgow’s Royal Concert Hall lived long into the night, as in true style, the sessions continued into the early hours of Sunday morning.

Will ye go, lassie, go?, sung by 2,000 Glaswegians; Kathleen Boyle’s almost haunting rendition on the piano; the drumming of the Bodhrán; the step dancing in all its forms; Cathie Ryan’s voice bringing the past into the present; and Joanie Madden’s penetrating flute playing and sharp wit, were just some of the highlights to this most beautiful of evenings.

It was the rawness of talent, where the ladies, and of course, male musicians and dancers too, made the most intricate pieces look seamless as they weaved their way through the concert and into the consciousness.

Memories flooded back and a pride in Celtic music and dance that is sometimes eclipsed by the razzle and dazzle.

The stage was set like any session in the bar; chairs in a half moon looking out to the audience, with the talent taking centre stage, where only the lighting is a feature. The concert had the fluidity and courage to go off script, welcoming talent on stage and making the audience as much a part of the performance as those that they were spectating. There was a Celtic connection.

Returning to the stage to celebrate 20 years since they first played in Glasgow, it was no surprise the show was a sell-out. It was standing room only, but Glasgow’s a small town, so it wasn’t long before we were sitting.

The music carried the audience along, mapping the journey of the emmigrants, and I thought of Mary. From the sad songs to the love songs, to Scotland’s Bard and his Red, Red Rose, the wonderfulness of music and dance weaved in and out.

Mary would have loved this night.

You can’t describe the rhythm of the dancers as they make music with their feet, or the energy they bring, or the poise in their carriages. It’s something you have to see and you have to feel. It is art. But Mary would never have called herself an artist, an Irish woman, an immigrant, a cherished lady.

Storytelling, dancing and music, and I am back in 46B Storrie Street. We’re dancing, there’s an accordion playing, the smell of homemade bread, singing, and Mary. I see her in every song, in every step and in every memory, in all that is good, weaving in and out of every day and in every Celtic connection.

The crowd are on their feet in a standing ovation, clapping and cheering and yes, we are cherishing the ladies.

To watch Cherish the ladies

To find out more go to Cherish the Ladies

 

 

 

And the Oscar goes to…

It’s the 86th Academy Awards, I’m never going to watch the films or the speeches for that matter, but the dresses, the dresses…

And the Oscar goes to…

Very

 

 

 

 

 

Very – the Forever Unique Printed Maxi Dress, £220

Nude and blue printed jersey maxi dress with twist back and wrap waistband detail. This is very unique, showing off your wild side Gwen Stefani style.

 

Very_2

 

 

 

 

 

Very – Key Fashion Princess Dress, £319

Hollywood glamour on the red carpet. The sweetheart neck and embellished bodice will ensure you are a vintage screen siren.

 

 

Coast

 

 

 

 

 

Coast debenhams exclusive – ri ri maxi dress, £220

A folded satin bodice and glamorous all-over sequin skirt make the Ri Ri maxi dress perfect for making an entrance at your next glamorous event.
Oscars 2014
Oscars 2014
Love Felicity Fox
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Lullaby

Lullaby
Lullaby

Cuddle into me tonight,
Close your eyes and take flight.
Rest your head,
It’s time for bed.
Sighing deep, love complete.

Whispering you’re not alone,
Nestled safely in your home.
The need to write and not forget.
Love is here,
Hold me near.

By

Felicity Fox

© Felicity Fox I am love
© Felicity Fox
I am love

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